Summer 2024 Preview Guide

Final Update: 2:55 p.m. EDT Monday 7/22/24

Note: The last show of the debut season, Moriarty’s Perfect Crime, does not seem to be available, so I am finalizing this and takig it off sticky status. The August debuts will be written about separately as they come up.

Welcome to my seasonal Guide! (The debut schedule will be posted here, although it may not be available for a few days.) We have three series debuting a week early, so you’ll see a trio of entries this week before the Guide starts in earnest on Monday 7/1.

I expect to cover every full-episode series that will be debuting this season and most of the sequels/returning series, including Shy, Oshi no Ko (which may go directly to episode reviews), The Cafe Terrace and Its Goddesses, Tower of God, and Our Last Crusade or the Rise of a New World. I will not be covering the sequels for NieR:Automata Ver. 1.1a, The IDOLM@STER Shiny Colors, MONOGATARI Series, Fairy Tail, or Sengoku Youjo, since I am not caught up on those franchises.

Debuts are listed below in oldest to newest order and may be added multiple times per day on busier days.

Makeine: Too Many Losing Heroines

Streams: Crunchyroll on Saturdays

Rating: 4 (of 5)

Kazuhiko Nukumizu is a friendless high school student deeply invested in light novels, so he sometimes finds himself wondering about the way romances play out in them. High school life gets a little more interesting (though not necessarily better) when he starts noticing the behavior patterns he knows from light novels playing out in real life around him, including getting (unwillingly) involved with a classmate who’s a female childhood friend who’s just lost out to the exchange student and is having trouble coming to terms with that. Later incidents bring him into contact with another such case (the athletic girl) and yet another girl who’s usually on the losing end in light novels (the painfully socially awkward one).

This one had some buzz around it coming into the season, and after the first episode I can easily understand why. In adapting the source light novels, it is essentially taking the meta approach on a focus that hasn’t often been pursued in anime form: the girl who loses out romantically, and not because someone’s being deliberately cruel. It’s a great angle, with Kazuhiko serving well as the would-be-detached observer who’s gradually getting drawn, Kyon-style, into a bunch of different girls’ stories. How efficiently the first episode teases all sorts of additional story threads while still thoroughly exploring Anna Yanami’s emotional turmoil is impressive, but no less so is the remarkably high-grade visual and animation effort. Perhaps most importantly, the episode finds a good balance between lighter scenes (I actually laughed out loud more than once) and more poignant moments. It’s a keeper.

ATRI -MY Dear Moments-

Streams: Crunchyroll on Saturdays

Rating: 2.5 (of 5)

In Natsuki’s world, sea levels suddenly rose hundreds of feet a few years earlier, leaving significant chunks of civilization underwater. That may or may not be connected to how Natsuki lost a leg and mother in some kind of building collapse. Nowadays he partners with a shady woman to use a submarine to investigate the now-underwater house of his recently-deceased grandmother. There he finds Atri, an all-too-humanlike Humanoid (i.e., android), who turns out to be from a recalled line from several years earlier. But does he have the means and wherewithal to keep her?

I didn’t need to look this one up to know that it was an adaptation of a visual novel, as it has a very similar feel to the VN adaptations that were commonplace from the mid-2000s to the early 2010s. The somewhat interesting twist here is that it combines that with a possibly-environmental theme. (Why the sea levels rose isn’t known, but the Greenhouse Effect is mentioned as a possibility.) While the first episode looks pretty good and was clearly made with care, the problem is that the titular character may be the least interesting character introduced so far. She’s got plenty of energy, but so far it has not amounted to much charm factor. Nor is there any indication so far that the plot is going to amount to much more than a damaged boy being rescued emotionally by an android girl, while the human girl who seems to like him sits by and watches. It’s not without some viewing merits, but I don’t see a lot to get excited about here.

Why Does Nobody Remember Me in This World?

Streams: Crunchyroll on Saturdays

Rating: 3 (of 5)

Boy, novelist Kei Sazane sure has a thing for pairing up a young male human warrior with a busty, blond-haired girl who uses magic, but it must be working because this is the second series this season based on one of his novels. (He also wrote Our Last Crusade or The Rise of a New World, as well as God’s Game We Play.) This one also uses the base premise of a stark contrast between two worlds, but in a literal sense rather than a figurative one. Here Kai comes from a world where a battle between the five Great Races (humans, demons, celestials, beasts, and spirits) ended with humans winning and sealing the rest away, but one day he suddenly and inexplicably finds himself shunted to an alternate world where humanity came out on the short end. The people he knows well still exist there, but they don’t know him. The major difference is that, in this world, the human hero either never existed or never arose. But the pyramids where the other races were sealed in his world still exist, and at one he finds both the sword of the human hero he knew and a chained-up girl who seems to be both part celestial and part demon.

While this concept hasn’t been used a lot in anime, it’s hardly a fresh one. Despite that, it still presents an intriguing mystery, and throws in the bonus minor mystery of why one person that Kai knows to be a young woman in his world is passing herself off as a man in this world. (Her reaction to Kai bringing that up suggests that she isn’t actually a different gender here.) Technical merits are solid but not exciting, and that generally extends to backgrounds and character designs elements as well. I’m not expecting a lot out of this series (especially since I haven’t been overly impressed with Sazane’s other two anime adaptations), but it has just enough going for it that it will probably make my view list for the season.

Bye, Bye, Earth

Streams: Crunchyroll on Fridays

Rating: 4 (of 5)

This series adapts the first novel written by Tow Ubukata, who would later go on to create Mardock Scramble and Psycho-Pass. It is, in some senses, a classic outsider tale: Belle, a girl who looks to be in her early teens, is the only human in a world where everyone else she has ever encountered is either a hybrid animal or at least has animal traits. (She is referred to as “featureless” because of that.) That’s not the only thing which isolates, her, either, as she’s also freakishly strong and has eating habits which unsettle others. Though she has a loving master who trains her, Belle’s only “friend” is the special sword Erehwon, who called out to her years earlier. Desperate to find others like herself and a place to fit in, she accepts a curse, which will start her on the path to becoming a nomad.

Consider the rating for this to be conservative, as I was more impressed then I expected to be. It features fine design work in both characters and background, generally good animation, a strongly evocative musical score (by Kevin Penkin), and a compelling protagonist in Belle. It also presents some very interesting world-building elements, such as the nature of curses in the world (Belle’s master is cursed so that he can only use his skills to teach, for instance), and Belle’s search for her origins provide a compelling basis for the story. The series may also may be aiming for some deeper meaning, as the fact that Erehwon means “utopia” in this setting is suspicious when you consider what that name spells in reverse. The two negatives here – and I consider these to be relatively minor ones – are that the writing overplays the distrust towards Belle (though not to the point of being melodramatic) and isn’t particularly subtle about anything. Still, this is an involving premier that will almost certainly make my view list for the season.

Love Is Indivisible by Twins

Streams: Crunchyroll on Wednesdays

Rating: 3.5 (of 5)

In this light novel adaptation, Rumi is the elder and more athletic of the fraternal Shinguji twins, while Naori is the more girlish and cerebral, but also more perverted, younger sister. Both are, to some degree, in love with their bookworm classmate/next-door neighbor Jun, though Rumi for longer. While in third-year middle school, Rumi worked up the iniative to date Jun for a while, but, feeling guilty because she suspects her sister also has feelings for him, she eventually breaks it off. Meanwhile, Naori tries to be supportive of her sister’s relationship, even though inwardly it does, indeed, crush her.

While I was fully expecting this one to be a love triangle, I was not expecting it to take things so seriously. The first episode splits roughly equally between the viewpoints of Rumi and Naori as both consider the feelings they developed for Jun while growing up as neighbors, hence providing both ample opportunity to establish their personalities and feelings. No idea if this is going to be a regular thing or just for intro purposes, but the first episode does feel more like a prologue than the actual start to the story. The approach here is effective at laying out both of their circumstances and getting invested in them as characters, though. The art style also uses a bit more subdued color scheme and features a couple of shots that lean surprisingly far into fan service for a show that is playing thing seriously. This concept has potential, so I’m at least curious to see how it proceeds from here.

Our Last Crusade or the Rise of a New World 2

Streams: Crunchyroll on Wednesdays

Rating: 3 (of 5)

It’s been 3½ years of real time since the first season of this franchise ended with a ton of loose plot threads, yet this season begins sans recap. Because of that, I highly recommend reviewing at least the last episode of the first season if you have not watched it recently, because episode 1 of this season continues directly from where episode 12 of s1 left off.

After the events of last time, Alice returns directly to the Sovereignty, while Sisbell, fearing that astral mages are still out to get her, decides to take a different route. To that end, she bribes Iska and his squad into being bodyguards for the journey by promising patches that will more effectively conceal Mismis’s astral crest. (Empire tech is woefully behind the Sovereignty on this point.) She also, of course, wants to get close to Iska, whom she sees as the only protector that she can rely on. Meanwhile, Alice is sent by the Queen to protect Mismis once she’s learned to have entered the Sovereignty.

My full thoughts on season 1 can be found in this review. For better or worse, this episode continues all the trends seen at the end of last season: Alice is still very much the tsundere, Iska is inching closer to having a harem, Sisbell is clearly smitten, and the former two still have their uncanny habit of coincidental meetings and ordering the same thing when getting food. The level of political intrigue in the Sovereignty also continues to be emphasized, to the point that this seems like a main theme for the foreseeable future. There has been a noticeable visual change, though. Though original animate SILVER LINK is still listed as being involved, Studio Palette (KamiKatsu, The World’s Finest Assassin) has taken over primary production duties, including a new director and character designer. The character design differences are small but readily apparent if you watch this episode back-to-back with one from last season; in general, the new designs are a little softer. That ultimately has little impact, though. This still looks like a middle-of-the-road series in every respect.

No Longer Allowed in Another World

Streams: Crunchyroll on Tuesdays

Rating: 2 (of 5)

Osamu Dezai is a giant of 20th century Japanese literature, but he was also in life a very troubled man, having attempted solo or double suicides multiple times. In 1948, he finally succeeded in a double-suicide with his then-current lover by drowning in a river. Though the protagonist in this series is never named beyond Sensei, he is clearly at least based on Dezai if not actually Dezai; his character design resembles pictures of Dezai in the year before his death and the series’ name is reminiscent of one of Dezai’s most famous novels (No Longer Human). Also, one of his suicide attempts IRL involved sleeping pills, and Calmotin, which he is shown eating in this episode, is a type that would have been available in Asia during his lifetime. In other words, there is some very black humor in this one, to the point of being uncomfortable.

That does seem to be by design, though. The basic premise is “what if a guy who wants to die accidentally ends up being successful in a fantasy world?” and that necessitates a certain amount of black humor. At least some of the humor does genuinely work, too; I got my biggest laugh in ages from the notion presented here that the infamous Truck-kun is actually an “Other World Selection Truck,” and Sensei accidentally defeating a monster tree by unintentionally poisoning it (it was absorbing his energy while he had poison in his system) was a bit amusing, as was the catgirl always getting cut off when she tried to introduce herself. Annette’s situation also sparks some interest. However, jokes about suicide are a bit too edgy for my tastes, and any appeal the story had collapsed hard during the epilogue with the strong implication that Annette had not only fallen for Sensei but was becoming very jealously possessive of him. Middle-of-the-road technical and artistic merits don’t help, either. I might watch another episode or two to see how this one plays out, but so far it’s a hard sell.

The Magical Girl and The Evil Lieutenant Used to Be Enemies

Streams: Crunchyroll on Tuesdays

Rating: 3.5 (of 5)

Byakuya has been raised since birth to be an Evil elite, and he prides himself on becoming the Evil Lord’s right-hand man. But he has encountered the one foe who utterly confounds him: the magical girl Mira. He’s head-over-heels in love with her from first sight, and she seems to like him, too. Can he still carry out his duty if she’s the face of the enemy opposing his side’s efforts toward world domination?

Love After World Domination was one of my favorite titles of 2022, so this role-reversal take on star-crossed lovers on the good/evil axis (the man is the evil one and the woman is the good one this time) was one of my most-anticipated titles of the Summer season. The disappointing side of it is that it’s only a half-episode series, though honesty, that also feels like the right length for what it’s doing. Otherwise this first episode is a comedy delight. Rather than being a genki girl, Myra is soft-spoken and deadpan in delivery, but that also plays perfectly into the cloyingly pathetic side of her that Byakuya cannot resist. Much of the comedy value comes from how Byakuya’s practical side is at war with his earnest desire to coddle her, though Myra’s backstory on how she became a magical girl is amusingly twisted, too. The visuals aren’t anything special beyond her gorgeous character design, but they don’t need to be to make this work. This will definitely be on my view list for the season.

Kinnikuman: Perfect Origin Arc

Streams: Netflix on Mondays

Rating: 3 (of 5)

Kinnikuman is a franchise about big, beefy men in wrestling-like bouts which, between main series and spin-offs, aired more than 200 episodes and nine movies or specials from 1983 through 1992. This new Netflix series is a direct franchise sequel. Since more than three decades have passed since the last installment, it starts with an episode 0, which features the titular character and his long-time partner/friend having a sparring match while they and other major franchise characters reflect on how things got to this point. In other words, it’s essentially a recap episode for the whole franchise, but one which uses all-new animation.

While the episode is clearly designed primarily to be a refresher for established franchise fans, it serves adequately enough as a stepping-on point. Newcomers certainly won’t be able to follow everything, but it does provide at least the general gist of the overall plot and the character relationships. Most importantly, it amply gives a good sense of how the action and dramatics of the series work. Much of it may feel like generic shonen antics, but the source manga precedes Dragon Ball by a few years, so this may have influenced later shonen tropes. I’m not a fan of series about big, beefy guys duking it out, so I won’t be following this, but episode 0 still does a fair job of re-establishing the franchise.

Mayonaka Punch

Streams: Crunchyroll on Mondays

Rating: 2.5 (of 5)

This original series, from the director of Ya Boy Kongming!, marks the second series this season to focus primarily on the in-world equivalent of YouTubers, but it take practically an opposite approach to VTuber Legend. In that series, the female protagonist essentially got rewarded for bad behavior during a video stream, while this case the female protagonist gets punished for it. The exact circumstances leading up to the defining live-streamed altercation are not revealed in this opening episode, but protagonist Masaki seems to clearly be at fault for throwing a punch at one of her costars. That gets her kicked out of a trio who had been doing videos together for years, and her unwillingness to apologize for it hampers her efforts to start anew. Then the pink-haired vampire Live comes into the picture. She awakens after sleeping for 20 years and, after seeing Masaki in social media, believes Masaki is the person she saw in her dreams. A harrowing (for Masaki) encounter between the two at an abandoned hospital leads to an agreement: Masaki will let Live suck her blood if Live agrees to star in Masaki’s new video channel, with the goal of getting one million viewers.

The concept here is pretty neat, and the writing definitely feels like it’s aiming more for social commentary than VTuber Legend. However, this opener wasn’t anywhere near as effective. An unimpressive visual and animation effort certainly has something to do with that; the scene of Live flying around the night sky while carrying Masaki miserably pales in comparison to a similar scene in Call of the Night a couple of years back, and Live is no Nazuna. However, the main problems are that Masaki is a far less sympathetic character (at least so far) than her VTuber Legend counterpart, the comedy moments aren’t as effective, and the episode struggles to find a balance between its comedy and slightly more serious parts. This is hitting on a relatively light viewing day, so I may give the series one more episode to prove itself, but it’s not off to a promising start.

A Journey Through Another World: Raising Kids While Adventuring

Streams: Crunchyroll on Sundays

Rating: 2 (of 5)

Takumi was accidentally killed by a god doing interdimensional maintenance, so as an apology, he’s reincarnated with a lot of strong abilities in another world. He quickly runs across 5-year-old twins who seem unusually strong; they also seem to have something to do with the gods, though Takumi can’t get a clear answer on that. Takumi decides to form an adventuring party with them and they start tackling monster-killing and herb-gathering together. They also pick up a couple of special pets.

Why this light novel adaptation merits both a double-episode debut and an English simuldub is beyond me. Sure, it has the cute factor going for it with the kids, and I suppose the whole parenting-while-adventuring is a bit of a twist, but this isn’t a far departure from a standard OP protagonist isekai and the adventuring aspect is very basic. Not going to win any awards on the technical front, either. Perhaps there’s some big mystery involving the twins, but overall this seems like a nice, light-hearted take on the genre, one that’s utterly boring if the cute kids thing doesn’t work for you.

Narenare -Cheer for you!-

Streams: Crunchyroll on Sundays

Rating: 3.5 (of 5)

This original series comes courtesy of studio P.A. Works and Kodai Kakimoto, the director of most of the Bang Dream! franchise. Chief protagonist Kanata was on a national champion cheerleading team in middle school, but some accident which happened during a performance (which may or may not have a lot to do with why a close friend is wheelchair-bound) has apparently distanced her from the sport. That may be starting to change as she encounters a rambunctious parkour expert, an elite gymnast, and an overly-affectionate Brazilian YouTuber and is forced into a situation where she has to employ the kind of jumps she used to do all the time in performances.

While competitive cheerleading clearly is going to form the backdrop of the series, P.A. Works titles are usually very character-driven, and this one looks no different. The first episode efficiently introduces what looks to be all of the core cast while also providing hints about what led to the current status and the start of a path to the presumed destination; in other words, an all-around effective episode. Suzuna’s possibly-exaggerated use of parkour in multiple scene also provides some nice animation opportunities and an eye-catching sense of motion to provide some visual excitement. While I’m having a little trouble getting enthusiastic about the defining topic (and the rating I’m giving it reflects that), this is still well-done enough that I may not be able to deny it.

VTuber Legend: How I Went Viral after Forgetting to Turn Off My Stream

Streams: Crunchyroll on Sundays

Rating: 4.5 (of 5)

In this light novel adaptation, Yuki Tanaka is a third-gen personality for VTuber company Live-On. She hasn’t been having much success with the ladylike persona she plays, but that changes one night when she forgets to shut down her stream, allowing listeners to hear her go on an unhinged, raunchy drinking binge after her normal show. Though mortified when told about it the next morning, she’s even more shocked when her manager gives this behavior a stamp of approval, as Live-On had hired her expecting something like this all along. After some soul-searching, Yuki decides to let her real self show in her streams, much to the delight of some of her fellow VTubers.

I don’t in the slightest engage in the VTuber scene or even follow anyone on YouTube, but this was still one of my most-anticipated shows because the concept greatly amused me. The first episode was absolutely everything I was hoping for and more. Yuki’s drunken rants are an absolute delight, but the way Yuki has to reconcile that people might actually like her real self if she puts it out there is also well-handled; not having her beat around the bush agonizing about it was absolutely the right call. I also loved the visual approach here, though I do have to wonder about her always dressing as her character in person; presumably that was done to enhance the contrast between her look and behavior, and if so, it was effective. I will absolutely be watching more of this one!

My Deer Friend Nokotan

Streams: Crunchyroll on Sundays

Rating: 3.5 (of 5)

First, a little background here: deer crackers are an item akin to a crisp pancake readily for sale at Nara Park in Nara, Japan, where they can be hand-fed to the very tame deer who roam the park. (I have done this myself.) The closer consisting of live-action video of the process for making and packaging these crackers is an interesting choice, and fully in line with the general weirdness which pervades this series. The plot, such as it is, involves former delinquent Koshi, whose efforts to pass herself off as a perfect girl in high school are being upended by the arrival of deer girl Nokotan, who seems to be able to sense her delinquent past. Whether incidentally or as a deliberate scheme by Nokotan (she acts dumb, but at this point whether she is or not is uncertain), Koshi finds herself getting roped into forming a Deer Club with Nokotan, where the main activity is caring for deer – in other words, Nokotan.

This is one of these “anything goes” kinds of comedy series, where CG deer randomly pop up in the backgrounds for no reason at all, Nokotan might take off her antlers (or even the entire top of her head!), and fourth-wall-breaking and narration commentary occasionally takes place. Some of its jokes are uproariously funny – especially the one about how Nokotan first enters a classroom – though not all of them land; for instance, Nokotan’s insistence on emphasizing that Koshi is a virgin is rather tasteless for a series that otherwise doesn’t seem ribald at all. Still, it’s got enough craziness going on that it should regularly prove to be a fun view.

Tower of God s2

Streams: Crunchyroll on Sundays

Rating: 3 (of 5)

The first season of this Korean webtoon adaptation aired in 2020. While it presented some quite interesting world-building aspects and a very diverse cast working toward a goal each for their own reasons, it was also often messy on justifying its character motivations and dodgy about how anything fit together into any semblance of a Big Picture. This episode, which mostly happens after a significant time jump and (at least temporarily) mostly focuses on different characters, won’t do anything to correct those flaws. After a brief recap of key events at the end of the first season and a scene where Yuri asks one of her sisters to search for Bam, the episode instead focuses on individuals who live on the Tower’s 20th floor and are trying to pass a difficult test required to advance further. Bam is back, but he now sports a long ponytail and seems to be affiliated with a criminal organization. Clearly things have happened in the interim, but this episode isn’t going to be the one to explain what.

At this point, it’s unclear if the diverse group introduced here are going to be regulars or just a one-shot group that Bam encounters as he advances. (The episode is from the POV of Ja Wangnan, a blond-haired young man desperate to pass the test lest he lose a significant amount of weight to organ harvesters.) The eclectic mix of characters who should be in this situation and characters who shouldn’t remains, and the brief action scenes are fairly sharp. I never got too enthused about the first season, though, so this one is going to need to show me more to stay involved this time around.

Wistoria: Wand and Sword

Streams: Crunchyroll on Sundays

Rating: 3.5 (of 5)

In a setting where the sky is protected by a massive seal and magic is everything, Will is the odd man out at his Magical Academy: he can’t even slightly use magic, so he has to scrape by on credits via practicum, which in this case essentially amounts to going into a dungeon to kill monsters for credit. But he still dreams of becoming one of the land’s premier mages, which would allow him to stand by a childhood friend, a true prodigy, who has already attained that status. And he has to stick true to what that friend believed about him, even if that means saving a bully who gets in over his head in the dungeon.

To a certain extent, this manga adaptation essentially answers the question, “what if Black Clover had been crossed with Harry Potter?” Will is the Asta-like anomaly: a true warrior in a magic-dominated world, who has both staunch allies and staunch enemies because of that. On the downside, the first episode has a couple of things I dislike: the dramatic cowlick Will sports and possibly my most despised of all character archetypes (i.e., the teacher who goes out of his way to belittle students). The upside, though, more than outweighs both those and the generic story structuring: the setting has some great design elements and interesting quirks and the battle scene towards the end, where Will faces off against the Evil Sentinel, is a fantastic bit of execution in every sense. I’ll put up with a few minor flaws and stock character types if we get more of that. This is directed by Tatsuya Yoshihara, who directed most of Black Clover and was the animation director for Chainsaw Man, and so far that feels like a perfect fit.

Grendizer U

Streams: Nowhere legal on Fridays

Rating: 3 (of 5)

This one is a remake of the 1975-77 series UFO Robo Grendizer, which was itself based on a manga by Go Nagai. It takes place squarely in the same universe of Mazinger Z; in fact, Mazinger Z and various characters from it appear prominently in this first episode. While the episode features a lot of call-outs to franchise fans, familiarity with the franchise is not necessary to understand and appreciate what’s going on here.

The plot isn’t complicated: a mysterious young man is found in the desert near the location of a possible asteroid strike. He has amnesia, but Koji and his friend Sayaka take him in, call him Daisuke, and befriend him.Both Koji and Daisuke turn out to have really big secrets: the former is the pilot of Mazinger Z, a giant robot who serves as a champion of justice on Earth, while Daisuke was once known as Duke Fleed, and is a giant robot pilot from another world. His titular robot comes out when Mazinger Z finds itself in a tight spot against alien attackers who may have come in a search for Duke.

In other words, this is all very standard giant robot fare, down to the classic look of the giant robots and the style of action it delivers. Technical merits and general art style are more current, but this is still as old-school as 2020s productions get. Can’t see it having much draw to those who aren’t already established giant robot fans, but if you’re into that kind of thing then it’s definitely worth checking out.

Sakuna: Of Rice and Ruin

Streams: Crunchyroll on Saturdays

Rating: 4 (of 5)

In this game series adaptation, the daughter of a war god and a harvest goddess, Sakuna is a diminutive harvest goddess herself. Though her parents have been missing since she was young, she still lives an indolent life in the Lofty Realm (where the gods live) mostly off her mother’s ample largess. That all changes when a bunch of humans wander across the Bridge of Heaven from the Lower Realm (where humans left) and set off a chain of events that leads to the destruction of Sakuna’s offering to the head goddess. As punishment, she is sent with the humans to farm rice on the Isle of Demons, where her parents lived for a time (and their last known location), much to her dismay.

Although this one was animated by P.A. Works, it gives off the very distinct vibe of a Studio Ghibli production in the kinds of characters and situations it presents, and especially in its musical themes. Its depiction of the Lofty Realm is vividly colorful and fascinating in its multi-tiered design, and Sakuna makes for a likably-flawed protagonist as a young (but adult!) goddess who is essentially being forced to live up to her responsibilities, even if that means taking her away, literally kicking and screaming, on a boat sailing the heavenly ocean. I’m less of a fan on the designs of the humans, but it does offer a well-executed action scene and a promising premise. This one I might actually follow.

The Elusive Samurai

Streams: Crunchyroll on Saturdays

Rating: 3.5 (of 5)

Boy, know what you’re getting into with this manga adaptation. While the starts out as a light, fun look at a prince (specifically, the heir to the Kamakura shogunate) who’s really good at evading his lessons, the first episode also deals with the fall of the Kamakura shogunate in 1333 and all the very ugly bloodletting that entailed. The adaptation suddenly shifts gears between the two modes by juxtaposing a children’s ball falling off a roof with a severed head falling to the ground. At that point it shifts to accounts of rape, slaughter, mass suicide (historically, more than 800 members of the Hojo clan committed suicide as the end approached), and oh yes, samurai carrying weapons with skewered severed heads. It’s really hard to imagine a greater degree of tonal dissonance than the latter scene, and the way the light-hearted and darker parts too starkly contrast is the main problem with this first episode.

In this version of the tale, Tokiyuki Hojo is the eponymous samurai youth, who sets out with the help of a fake priest (who’s a real precognetic) and his daughter to gather allies. This somewhat follows the actual history, as the real Tokiyuki did escape the fate of his clan and gathered an army to try to return to power, including an attempt to retake Kamakura two years later (which priest Yorishige – again, an actual historical figure – predicts). Presumably this series will be about that period, since Tokiyuki’s ultimate as an adult wasn’t that great. The artistic effort is bright, colorful, and often quite pretty when not deliberately being ugly, and the whole production has a vivid sense of energy, especially in a late scene where Tokiyuki has to scramble for his life among samurai out to kill him. The OP also displays that energy and is worth a listen even if you don’t check out the rest.

While the historical aspect interests me, and the artistic effort is impressive, the priest character is simply too supremely annoying for me to tolerate and the content swings too wildly between tonal extremes. Hence a pass here despite how good the series looks.

SHOSHIMIN: How to become Ordinary

Streams: Crunchyroll on Saturdays

Rating: 2 (of 5)

Kobato and Osanai are two students who have just gotten into the same high school together. To anyone observing them, they act like an ordinary couple, and “ordinary” is exactly what they are both actively striving for, with the implication being that this is something that they both have to put effort into since they’re not ordinary. But aside from the fact that Kobato has a very intuitive mind, there’s nothing overtly unordinary about either of them.

And that’s the major frustration with this opening episode: its playing its cards way too close to the vest. We only have their claims that they’re not ordinary, but no evidence in the slightest to back that up. Are they something supernatural? Or is the “not ordinary” just typical teen angst? The production is a complete tease on this point, since any scene which looks like it might point to an actual indicator instead just ends up being completely normal. So far, this just looks like a bland, low-key character study, with the only distinguishing factor being Osanai’s striking eyes. For this series to win me over for the season, I’ll need to see something much more than this from the second episode.

A Nobody’s Way Up to an Exploration Hero

Streams: Crunchyroll on Saturdays

Rating: 2 (of 5)

In a modern setting where dungeons have been a reality for more than a decade, Kaito is a teenager who has spent a couple of years just farming slimes (using bug spray!) after he got his ass kicked the one time he tried to aim for a tougher critter. That starts to change when he acquires an apparently-rare Servant Card, which summons Sylphy, a pint-sized Valkyrie who can sense monsters as well as throw up both offensive and defensive magic and has loyalty to him “engraved on her heart.” With her help, he starts to level up and tackle slightly more difficult foes. Soon he acquires a second servant card, although this one seems to have a more devilish than divine bent.

The only reason I can see for this light novel adaptation having a double-episode debut is to get to the point of bring Luceria, the devil, into the picture (she is shown being on equal status with Sylphy in the OP, ED, and advertising art), but I don’t think that was necessary since it doesn’t look like she’ll change the series’ cutesy, somewhat light-hearted attitude much. There’s also a pretty childhood friend in the picture, who’s the daughter of a famous dungeon explorer and with whom he dodges the issue that he’s dungeon delving himself for some reason; why this is so heavily-emphasized is unclear at this point. In general, the cute factor is the main thing the series has going for it, as no other aspect to the first two episodes is showing any hint of being compelling and it’s certainly not going to win audiences on the strength of its visual quality or technical merits. It has just enough appeal to avoid being utterly forgettable, but it’s going to have to show a lot more to get anyone excited about it.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools

Streams: Crunchyroll on Saturdays

Rating: 3.5 (of 5)

Dahlia worked herself to death in her previous life as a corporate drone in a modern setting. In her new life, she’s the daughter of an artificer who makes his living by building magical tools, which are commonplace in that world. Inspired by him, she seeks to become one herself, and draws upon her knowledge of her previous world to come up with new ideas for magical tools. (This is the one aspect in which the isekai element comes into play at all.) But even a few years after designing her first magic tool – a hair dryer – with her father’s help, her skill has yet to catch up with her ingenuity.

Most of this episode is a heartwarming look at the tight relationship between a young girl and the father who both loves and inspires her, but that father isn’t shown in the promotional art for the series and the next episode’s title looks ominous, so he may not be in the picture for long. There seems to be an implication that Dahlia is more an idea person than a good technician, and the prominence of another male character in the OP and art, combine with comments near the end of the episode, suggests that Dahlia will wind up teaming up with an apprentice that her father takes on. This could make for an entertaining story, as the series seems very invested with the fine points of making magical devices and applying magic practically. The artistry is more of a mixed bag; I like Dahlia’s design, but the first episode leans heavily into fairly blatant CG when focusing on outside scenes, hence creating an uneven visual quality. The direction also diligently focuses on its flower motif, so there are hints that flower language could be relevant here; dahlia is a type of flower associated with both creativity and resilience, after all. Overall, I see enough potential here to merit a mild recommendation.

Plus-Size Elf

Streams: HIDIVE on Saturdays

Rating: Ummm. . .

Boy, I thought I knew what I was getting into with this one, but rarely has a first episode of any title left my jaw so completely on the floor as this one did. The premise is pretty simple: a female elf uncreatively named Elfuda has come to our world through a gate and become enamored with french fries. (Food in her world is quite bland by comparison.) She’s gained so much weight from chowing down on them that she can’t go back through the gate (which requires you to be the same weight going both ways), so she winds up in the care of massage therapist Naoe, who helps her get on a strict diet and exercise regimen. Though it succeeds, Elfuda later returns to our world and relapses, since she knows she can just lose the weight again.

I’ll set aside how utterly unhealthy that mentality is (or how Elfuda lost all that weight in just a month) and get to the real substance here. First, this one uses only half-length episodes. Second, the series is unabashedly – I’d even say proudly – a dedicated fan service series, complete with multiple instances of fully-defined nudity. And boy, does the camera play up how sexy it imagines the very plump Elfuda to be! Essentially, this is a fan service title for those who fetishize chubby women. It’s so starkly different from anything else out there in the fan service scene that it’s almost refreshing in a way. The the featured Fast Food restaurant was named Bad Burger was also an amusing poke at the fast food industry. That being said, this is still a very niche title, so only check it out if you’re truly prepared for what you’ll see.

Dungeon People

Streams: HIDIVE on Fridays

Rating: 3.5 (of 5)

Clay, a master thief trained ruthlessly by her father, has made it lower into a particular dungeon than any other adventurer, and done it solo. When a fight against a powerful monster goes awry, she finds herself face-to-face with a girl who claims to be the dungeon’s administrator, and certainly has the power to back that up. She’s long been looking for help in managing the dungeon, and since Clay’s proven herself strong enough that the dungeon’s monsters would respect her, she badly wants Clay to come to work for her. Clay has long sought to surpass her father (who disappeared into a dungeon three years earlier), but she may have just done so in a way she never expected.

There’s a whole subclass of manga and light novels out there about characters who make and manage dungeons, but this is, I believe, the first one to actually make it into animated form. (Not surprising, since many of the others that I’m aware of tend to be too lurid to make a feasible TV anime.) This appears to be a decidedly light-hearted take on the concept, one where serious-minded Clay plays the Straight Girl against the chipper dungeon master. (She doesn’t actually use that term for herself, but you might as well call her that.) It promises, a cute, fun, behind-the-scenes approach to a dungeon and features a remarkably solid animation effort to go with its more simplistic art style. I found it to be quite the delight to watch and will definitely be back for more.

Quality Assurance in Another World

Streams: Crunchyroll on Fridays

Rating: 4 (of 5)

Nikola lives in a village where everything is peaceful and unchanging, but also a little boring, too. That all changes the day a strange, beefy man named Haga shows up, investigating dragons that wander near the village. But while Haga is genuine about doing investigations and making reports about the, he’s otherwise not what he claims to be. And after calamity strikes, it becomes apparent that Nikola may not be, either.

I’m being very coy about the details in this manga adaptation because this is definitely a case where the less you know about it going in, the better. Suffice to say that the late stages of the episode sport a massive twist whose nature the title only partly hints at, and its implications – and especially how the very likable Nikola might fit into them – are plenty intriguing enough to make this a must-watch for me on Fridays this season. Pleasing designs (including one of the oddest takes you’ll ever see on dragons) and a well-above-average animation effort are nice complements, and it’s getting a simuldub in English, too. Whatever your expectations may be based on the title, it’s one you should check out yourselves.

2.5 Dimensional Seduction

Streams: HIDIVE on Fridays

Rating: 3 (of 5)

In this manga adaptation, Okamura is the president and only remaining member of his school’s manga club. Since he only has eyes for anime character Lilliel, he insists that he’s not only not interested in girls, but would find any girl joining his manga club to be a nuisance. But that belief is put to the test when new student Ririsa knocks on his door. She’s every bit as avid (and, perhaps most importantly, knowledgeable) a fan of Lilliel as he is, and she’s looking to join the club because she want to find some who will accept and help her with secret hobby: sexy cosplay, including stunning portrayals of Lilliel in multiple different costumes. Okamura ultimately feels it’s his duty as an otaku to accept her on strictly non-romantic terms, though neither of them may be able to resist the romantic pull when they click so well together.

If you’ve seen My Dress-Up Darling, this one will inevitably remind you of it, and unfortunately for 2.5D, the comparison is not a favorable one. That’s not to say this one is bad; one of the greatest joys in life is when a person finds a common passion with another, and the first episode hits the mark on displaying how that draws these two teens with fringe hobbies together. It also offers some satisfying doses of fan service and nice detail work on the costuming, and Ririsa is instantly likable. There are two problems, though: Okumura is obnoxious in the most stereotypical way possible for a dedicated otaku (though he does win points for at least being considerate of Ririsa in many ways), and too much of what transpires feels too rote, too by-the-numbers. In short, My Dress-Up Darling does everything this episode does but does it better. The OP, ED, and advertising art all indicate that other girls will also eventually get involved in (presumably) turning the manga club into a veritable cosplaying club, with Okumura as the photographer, and it might be interesting to see if that plays out without devolving into expected harem antics. Hence I’m on the fence on this one to start.

My Senpai is an Otonoko

Streams: Crunchyroll on Thursdays

Rating: 3.5 (of 5)

For clarity, otokonoko is a relatively recent Japanese term for men with a culturally feminine gender expression. It is a broader category than just men who cross-dress, but that is the application relevant to this series. Makoto is a boy who like to dress as a girl – wig and all – at school. (But apparently only at school, as the episode’s interesting last scene suggests.) Whether he’s fully trans or just a cross-dresser is unclear, and the first episode doesn’t seem at all interested in delving into that; it just presents Makoto matter-of-factly. He likes girlish things and likes to dress as a girl, though he has no qualms playing sports with the boys. What’s actually important here is that Makoto is unknowingly edging towards finding himself in a love triangle. Saki is a junior who confesses to him thinking he’s a girl, but she is even happier to find out he’s a boy. (The implication here is that she’s a bit relieved to find out that she doesn’t have to go yuri to date Makoto, even though it’s his girlish presentation which attracted her in the first place.) But she may have a romantic rival in Makoto’s best friend Ryuji, who doesn’t seem to want to admit that he’s in love with Makato himself.

In other words, this is a series where gender lies at the heart of everything which goes on in some senses, and yet doesn’t matter at all in others. Love isn’t subject to normal gender boundaries, it seems to be saying in its serious moments, though it actually spends a lot more time in sillier moments. Some of that can be pretty funny, and the artistic effort outside of the frequent SD shots is solid, too. If this series can find a good balance between its serious and silly moments – and the first episode left me with few doubts that it can – then this could be a pretty solid offering.

The Cafe Terrace and Its Goddesses s2 (ep 13)

Streams: Crunchyroll on Thursdays

Rating: 2 (of 5)

The first season of this series went full-bore on the harem route, with most of the girls who weren’t the idiot expressing romantic love for protagonist Hayato by the end of the episode. It was also known for its fan service. Both of those factors are definitely back in play as the series resumes; in fact, there’s not much to the new episode beyond ruminations on this. Sure, there are indication of a group of girls who are probably waitresses at a rival cafe (they figure quite prominently in both the OP and advertisements for the new season), but they have mere cameos here and thus haven’t been formally introduced yet. Hence we get dramatics like one (essentially adult) girl being too scared to go to the bathroom without Hayato and the group getting a cat, which gets named after the grandmother. Oh, and Hayato discovering a picture which suggests that all the current waitresses may have a much older link to the cafe than they realize.

I was never that enthusiastic about the original season (even though it did get a bit better in its later stages), and nothing in this first episode is enticing me to watch more. It’s got one of the better sets of character designs of any recent harem series, and technical merits that are generally above-average for its genre, but that’s not enough. The style hasn’t changed, so if you liked the first season enough to come back then you’ll probably like this one, too.

Failure Frame

Streams: Crunchyroll on Thursdays

Rating: 1.5 (of 5)

Take the premise of Arifureta, throw in the complete ass of a goddess from Tsukimichi, and you essentially have this utterly uninspired light novel adaptation. Toka is the unfortunate soul who had a rough life before his busload of classmates was transported to a fantasy world, and he got the apparent short end of the stick for the granted powers in that world, too: low stats and a Unique Skill that’s supposed to be of limited effectiveness beyond low-powered monsters. The goddess isn’t going to waste time and resources on trash like him, so he’s been dumped into a dungeon to die, and the one girl who’s powerful and protests is knocked out so she can’t interfere. But Toka’s Status Ailment abilities prove more potent she she intimated when Toka is running for his life from monsters. Oh, and there’s a sexy elf warrior who’s introduced in the epilogue, too.

These kind of “raise up from nothing to get revenge” stories are popular because they can be cathartic, but this one is just so over-the-top in being a dick to Toka that it’s hard to take it anywhere near as seriously as it wants to be. Unappealing CG monster designs don’t help, either. At least the sexy elf isn’t a loli vampire. I apparently need a certain amount of trash shows in my viewing schedule every season, and this might fight that bill, but I definitely can’t recommend it at this point.

Pseudo Harem

Streams: Crunchyroll on Thursdays

Rating: 2.5 (of 5)

This manga adaptation presents an interesting twist on the standard harem concept: instead of one guy being played up to by numerous female admirers, he’s getting a whole collection of stereotypical harem girls out of a single admirer. That’s the situation that drama club member Eiji finds himself in during his early encounters with Rin, a very talented new recruit. She presents all sorts of different personalities to him once she realizes that he really gets into that, all in a clear interest to get his attention. And he’s clearly loving it himself. However, in another minor twist, we don’t actually know what he thinks of her, since all of this is from Rin’s perspective.

One of the two major problems with this series is that I can see the novelty of this set-up wearing off fast, especially in what is essentially a fast-paced sketch comedy. The second problem is that this is the least impressive-looking debut to date, with limited animation outside of the moments where Rin shows her different personas, uninviting character designs, and only the basics for background art. Also, hearing Saori Hayami voice both Rin in this series and the tiger in Red Cat Ramen is really throwing me off. There’s definitely entertainment value to be had here, but it’s unlikely to make my viewing cut.

I Parry Everything

Streams: HIDIVE on Thursdays

Rating: 3.5 (of 5)

Noor grew up on stories of adventurers, so he decided to leave his home for the big city to become one after the last of his parents dies. Problem is, he’s unable to develop a major skill in any of the major classes he tries; he’s only truly good at basic parrying. Defeated, he goes back home and trains for years before trying again. He happily accepts the lowest-ranked tasks because that’s all he can get, but when the need arises to protect a noble girl from a rampaging minotaur, his true skill shows even if he doesn’t realize it: he can literally parry to death a foe capable of killing multiple soldiers in a single blow. And he while he doesn’t appreciate how incredible that is, the girl he saved certainly seems to.

Stories about characters who underestimate the strength/utility of their apparently-minor skills are practically their own subclass of fantasy anime. Most commonly these stories overlap with some kind of isekai or “trapped in a game” premise, but this light novel adaptation is an exception. While the setting still seems to use a game-like skill system, this is merely a heavily RPG-influenced world, not an isekai. Not that that ultimately makes much difference here. The opening episode succeeds because it effectively establishes Noor as a hero-wannabe that audiences can root for. I love how he makes efficient use of all the minor class skills he’s picked up over time, and the whole “no sense of scale on his ability” shtick works better here than in The Ossan Newbie Adventurer. Technical merits aren’t anything special, but I can see myself following this one.

Red Cat Ramen (Ramen Akaneko)

Streams: Crunchyroll on Thursdays

Rating: 3 (of 5)

In a world where nobody bats an eye at talking cats walking around on their hind legs, Red Cat Ramen is a restaurant for cat lovers, as it’s owned and operated exclusively by cats. Tamako, the niece of the shop’s previous owner, becomes their one human employee, charged primarily with brushing the other employees – which is crucial, since they’re devoted to keeping cat hair out of the food as much as possible. Oh, and the noodle maker in the back is a surprisingly timid tiger.

As a cat lover myself, I’d love to give this one a higher rating, as it offers a nice mix of cat-themed jokes and practical issues. (Hearing Saori Hayami’s voice as the tiger Krishna is also every bit the laughably dissonant contrast it was probably meant to be.) However, this is a bargain-basement, CG-heavy animation production by a studio with hardly any other lead animation credits, and there’s no escaping that. Tamako is also designed to be as unremarkable both in design and behavior as possible; granted, she’s the viewpoint character, but at least some effort could have been put in there. Still, this one should make a satisfying light distraction for cat lovers if you can ignore the animation quality.

Twilight Out of Focus

Streams: Crunchyroll on Thursdays

Rating: 3

This adaptation of a manga from a magazine which exclusively focuses on (mostly mildly smutty) BL content makes no pretenses about being anything but that, hence giving BL lovers a title to get into for this season. Whether or not it’s good for its genre is hard for me to judge, since I normally don’t watch/read BL at all beyond these previews. However, based solely on its standing as romance, it does last a respectable foundation for the attraction between its main characters.

Or at least for the main characters so far, because the synopsis for this one indicates that at least two more romantic couples will form against the backdrop of a film club at an all-boys boarding school. The starting pair is roommates Mao and Hisashi. The latter is gay, though he’s insecure enough that he’s keeping that fact a secret. (Even though every ounce of his body language points in that direction, so I’m not sure how it’s a secret.) Mao, who doesn’t initially identify as gay, is cool with that, and it takes him all of the first episode to realize what the audience sees almost immediately: that he might be romantically interested in Hisashi. Even as a straight guy I can understand why, as Hisashi is sexy and vulnerable as hell for and great effort is put into playing up his physical appeal in the visuals. That’s really the first episode’s main selling point, since the play-out is otherwise composed mostly of stereotypical scenes, including one scene that could probably qualify as sexual assault. In all, I definitely won’t be watching more, but I can see this finding an audience.

Days With My Stepsister

Streams: Crunchyroll on Thursdays

Rating: 3 (of 5)

Everything about the preview and advertising art for this light novel adaptation suggests that it is going to be a delicate, more serious treatment of what is normally a pretty salacious situation: male and female teenagers suddenly discovering that they’re going to be stepsiblings. That’s exactly how the first episode plays out. The closest thing to comedy in it is the teasing of male lead Yuuta by a young adult female coworker, who’s apparently expecting a juicy story to develop (although how typically-moronic both parents are could also count), and both Yuuta and Saki, who both have more subdued personalities, are careful to quickly set boundaries for their relationship, both when talking to each other and in their individual intros. But is anyone in the slightest going to buy that the insistence that romances between stepsiblings are the stuff of light novels isn’t meant to be ironic?

In other words, we’re probably in for a very slow-burn romance here, with the intent of gradually showing them progressing from being strangers. That’s fine, but my big concern here is that this may be a little too subdued for its own good, both artistically (the animation is anything but ambitious) and in a storytelling sense. The one stand-out element is Saki’s character design. I could easily buy that she’s supposed to be the most beautiful girl in their shared school, but interestingly, she doesn’t act like that. She drops a couple of hints early on that her self-confidence doesn’t match her appearance and she may be suffering from some kind of emotional damage, but I’m waffling on whether or not that’s enough of a hook to keep me watching. I may watch an episode or two more to see how things play out once the cast starts expanding more.

Alya Sometimes Hides Her Feelings in Russian

Streams: Crunchyroll on Wednesdays

Rating: 3 (of 5)

As a teacher who has worked extensively with foreign-born students, I have had several occasions in the past where those students have used their native language to get away with saying things that wouldn’t be appropriate in English. Hence the premise of a high school girl using Russian to disguise how she really feels about the protagonist, while being abrasive towards him in Japanese, seems like a perfectly natural choice even if it wasn’t a twist on the standard tsundere personality type. The twist that the guy actually knows what she’s really saying, but is trying to pass if off as if he doesn’t, is also an amusing gimmick.

Those are the premise-establishing gimmicks for what otherwise seems to be a fairly standard romcom, one complete with some at least mild fan service. (Advertising art of all the main female characters in bikinis has also recently been put out.) Naturally there’s a cute female childhood friend for protagonist Masachika, whose behavior is clearly more than just chummy towards him (which Alya notices but he seems oblivious to), and I expect Alya’s sister to come into the romantic picture at some point as well, along with a fourth girl shown in advertising art who hasn’t been identified yet. Neither that nor its appealing female character designs make it stand out much, though, and I’m not sure how Masachika can ignore the possibility that Alya is the same girl he met as a child; there can’t be that many Russian-speaking girls in Japan, after all. The one factor that is in the series’ favor is a sense of genuine chemistry between Masachika and Alya, and that can carry a series far. This was a fairly highly-anticipated series, one adapting a high-selling light novel series, so presumably there’s more to it than we’re seeing in this first episode. It’s fine for what it is, and it may well make the cut as my romcom view for the season, but nothing I’m getting excited about at this point.

Tasuketsu -Fate of the Majority-

Streams: Crunchyroll on Tuesdays

Rating: 2 (of 5)

While it’s far from being one of my favorite thriller gimmicks, I actually have no problem with death games. Sure, the scenarios that bring them about are typically implausible to the point of ridiculousness, but you’re not meant to take them seriously. The real problem is that so many of them are just poorly executed, and this adaptation of a mid-2010s manga suffers greatly from that problem.

The basic premise is that a group of ten individuals (mostly students, but including at least one teacher) wake up one morning to find that everyone around them is dead. The only thing they have in common is seeing a mysterious message on a computer screen the previous day. That night, they learn the rules from someone calling themselves The Emperor: each night a Yes/No question will be asked (which participants can contribute if they find special machines scattered about a chosen ward). Those on the majority side die. The last person standing gets to meet the Emperor. It’s a nasty concept, and the series certainly doesn’t waste time killing people off, as several of the initial group of survivors are dead (or at least, in some cases, presumed to be dead) by the end of the episode.

How much of this may be a fake-out is the one intriguing aspect here, as the dead include characters featured very prominently in the OP. That’s the one reason to watch more, and the sole reason I am not giving this a bottom-basement grade, as the episode is otherwise a mess. Mediocre visual and animation quality is paired with character designs which look like they come from one of those card game series, and despite taking the time for the apparent male lead to talk to the apparent main female character, events progress at breakneck speed, with little sense of good flow. There’s also little strong sense of tension of emotion, which is critical for shows like this. And that’s without considering the very magical nature of it all, since there’s no indication that this is going on in an alternate world. I will probably have to watch the next episode to see how much of the first (if any) is a bait-and-switch, but I don’t have high hopes here.

The Ossan Newbie Adventurer, Trained to Death by the Most Powerful Party, Became Invincible

Streams: Crunchyroll on Mondays

Rating: 2.5 (of 5)

Essentially, this light novel adaptation is the answer to the question “what if the protagonist of Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town was 32 instead of a teenager?” In this case, aptly-named Rick Gladiator (the naming conventions for this one are quirky) decided to make a mid-career change after working for years as an adventurer’s guild receptionist, trained brutally for two years with a top-tier party, and so now has no conception of how ridiculously strong he is compared to normal people. He’s fretting over not being able to pass the E-rank qualifying test even though he actually has strength which makes even a B-rank-equivalent knight who tries to duel him tremble in fear.

So yeah, it’s kinda ripping off One Punch Man, too. It also features a presumably super-powerful female elf in a maid’s outfit, much like The New Gate, so it’s drawing inspiration from all over. The first episode does at least have one good original joke in it, in that the only time the female knight actually impresses Rick with her ability is when she trips and makes an unintentional whirlwind-style attack that he can’t follow and predict. The one other interesting factor here is that this is the latest in a recent trend of stories where protagonists or co-protagonists are adult adventurers rather than teen hotshots. (See also The Unwanted Undead Adventurer, My Daughter Left The Next and Return an S-Ranked Adventurer, and Chillin’ in My 30s after Getting Fired from the Demon King’s Army.) Rick having to deal with the stigma of his age does add a somewhat interesting angle here, and there’s just enough other appeal to merit watching at least another episode or two, but with only average technical merits supporting it, I don’t currently have high hopes for this one.

Shy s2 (ep 13)

Streams: Crunchyroll on Mondays

Rating: 3.5 (of 5)

While this franchise is not highly-rated or popular in the West, it was apparently successful enough in Japan to warrant both a second season and a fairly quick turn-around on an entire line of figma (which I saw one dealer offering at a convention I attended in mid-May). I always felt it wasn’t spectacular but was still underappreciated, so I am quite pleased to see its return this season.

Since the last episode aired a bit more than six months ago, the first episode is primarily a refresher. It reintroduces the premise, Teruko/Shy, and most of the other prominent heroes from last season, but also adds in Adam Rockwell/Century, the U.S. super-hero, who is positioned prominently enough here that he will presumably have a significant role this season. The rest of the episode mostly involves Shy getting interviewed by a magazine writer and unwittingly both motivating and inspiring her, hence reminding us again how effective Teruko can be when she’s just genuinely expressing herself. There are only vague hints about what the villain group is up to and a brief cameo by a presumed upcoming antagonist who’s seeking out Shy, but that’s fine for a refresher episode. Overall, it’s a respectable starter for the new season.

My Wife Has No Emotion

Streams: Crunchyroll on Saturdays

Rating: 3 (of 5)

Every few years we get a title like this one, which essentially comes down to a guy getting a female-presenting robot/automaton as a home companion and eventual love interest, in a setting where the presence of robots for such purposes is not uncommon. This adaptation of a 2019-originating manga is merely the latest such iteration. There really isn’t more to the premise here than that: protagonist Takumi is living on his own and finding chores a hassle to keep up with, so he gets second-hand robot Mina to do the cooking and dishes for him. Over time, he finds himself becoming emotionally attached despite Mina’s emotionless behavior, and Mina certainly seems to be tailoring her behavior to Takumi’s tastes. How much of that is just standard programming vs. something special going on is, of course, left ambiguous.

Despite Mina’s cute face, the visual and animation effort by Tezuka Productions certainly isn’t going to garner the series any attention. (My, isn’t it convenient for the animation that Mina is low-end enough that her lips don’t move when she talks?) The way Mina looks after Takumi and fine-tunes her behavior does have a certain amount of charm. So does the way she politely but firmly guides him out of actions where he’s, frankly, in her way for doing her duties; she may be a robot servant, but she’s no pushover. I will reserve judgment for when the cast and setting start expanding next episode, but this one does not currently stand out enough to attract much attention.

Suicide Squad Isekai (ep 1-3)

Streams: Hulu on Thursdays

Rating: 3.5 (of 5)

If you have somehow not heard of Suicide Squad before, it’s DC Comics’ take on the classic “throw a bunch of eccentric criminals together to complete a dangerous mission” scenario. It’s seen many iterations over the last 65 years, including a pair of live-action movies, and now it’s getting an anime version, too. The concept fits well with a deliberate isekai scenario: a government organization needs skilled individuals for a very dangerous mission to scout out a fantasy world beyond a newly-created interdimensional portal, so villains Clayface, Deadshot, Harley Quinn, King Shark, and Peacemaker are forced into the task. Naturally, things go all to hell immediately, and get more complicated when they discover that they weren’t the first such group sent through: that lot sided with one side of a fantasy battle between two major powers, and they’re winding up siding with the other.

The production by Wit Studio is pitching hard the colorful core cast and all of the destructive, action-packed antics they get into, and it’s somewhat working on that level so far. While the male squad members other than King Shark all have at least some personality, Harley is the clear star here and at the center of the one truly intriguing development in the first three episodes: how a princess seems to be taking a particular interest in her, and the sense is that it’s because of how unrestrained Harley is. The visuals are also dynamic and provide plenty of room for fancy animation. But that closer. . . man, what were they thinking there?

I’m not sure if this one is truly a keeper, but I can appreciate it as a bold crossover stunt.

The Strongest Magician in the Demon Lord’s Army Was a Human

Streams: Crunchyroll on Wednesdays

Rating: 2.5 (of 5)

The premise for this one is entirely in the title: Ike was raised by a scholarly demon to be a great magician, and has distinguished himself so much as a commander in the Demon Lord’s army that the current Demon Lord herself, who is renowned for revitalizing the demon armies, has decided to meet him in person. Only his immediate superior knows he’s human, and he must keep it that way, as well as not revealing the knowledge he has about the land’s ancient civilization. But the Demon Lord also seems to know the latter, and perhaps she at least suspects the former too?

Basically, Ike is a guy who looks evil but isn’t. In fact, he’s quite a fair guy who believes that being cruel and oppressive is counter-productive. The big problem here is that he’s also pretty bland, and the same can be said about this debut in general. Nothing about this first episode visually impresses beyond the Demon Lord’s eyes, and it lacks any real sense of tension or excitement. Even Ike’s secret being unwittingly exposed by a bumbling maid (who will apparently be a main source of comic relief) doesn’t juice that up. It does have a kickin’ OP, but that’s about it for merits at this point. In a season that’s looking mediocre overall, it’s at best middle-of-the-pack fare.