Review: Oshi no Ko (live-action)

Note: This review assumes the reader is familiar with the anime version and/or its equivalent content in the source manga. There will be spoilers for those who haven’t seen through the final episode of the anime’s season 2! The live-action version of Aka Akasaka and Mengo Yokoyari’s Oshi no Ko manga is an ambitious projectContinue reading “Review: Oshi no Ko (live-action)”

Oshi no Ko episode 16

Rating: A Oshi no Ko‘s anime adaptation has never found itself shy on content, but this may be the most packed regular-length episode in the series to date. Even though its plotline is relatively simple – we’re watching the final preparations for the debut of the Tokyo Blade play – so many different character pointsContinue reading “Oshi no Ko episode 16”

Oshi no Ko Episode 15: “Emotional Acting”

Rating: A In the days leading up to the airing of this episode, I engaged in a discussion on another site about whether or not this story actually needed the reincarnation angle. Could a story which eliminated that and Ai, and was just about ordinarily-gifted twins working their way through various aspects of the entertainmentContinue reading “Oshi no Ko Episode 15: “Emotional Acting””

Oshi no Ko episode 14

Rating: B+ Oshi no Ko has never been a series that pulls its punches when it comes to commentating on the entertainment industry, and boy, this episodes hold nothing back, either, as it delves deeper into matters concerning manga-ka and the process of transferring established work into other media. It’s so pointedly unflattering that muchContinue reading “Oshi no Ko episode 14”

Oshi no Ko episode 13

Rating: A- Despite the regular cast mostly being relegated to supporting roles, the aptly-named episode “Game of Telephone” is, in its own way, nearly as searing an episode as the first season’s “Egosurfing” was, though for substantially different reasons. It’s about the conflicts that can arise within the multimedia creative process, cast within the frameworkContinue reading “Oshi no Ko episode 13”

Review: Pluto

This ONA series, which debuted on Netflix in late October, has a very interesting pedigree. It adapts a lauded manga by Naoki Urasawa (the manga-ka behind titles like Yawara! A Fashionable Judo Girl, Master Keaton, 21st Century Boys, and of course Monster), but that was itself a re-imagining of a singular story arc from OsamuContinue reading “Review: Pluto”